Reduction/Redaction



Installation shot from A Personal Perspective, APT Gallery, London, 2020

The empty newspaper pieces – started around 2001 and continuing for as long as print media survives – explore the notion of ‘the edit’ as part of the creative process. Each work is a single daily newspaper with all the information – text, numbers, dates, images – carefully removed with a scalpel, leaving the remaining structure, borders and absences as the work. These are works of reduction and redaction – creation by the act of removal.

The works allude to conceptual drawing, the exploration of the line and the use of negative space; the language of modernist painting; print media and the dissemination, consumption and control of information; as well as sculpture, with the cutting away allowing the emergence of the hidden internal structure of the newspaper as an object. To quote Michelangelo: “The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.”


All works ©Simon Leahy-Clark