
Untitled Untitled Untitled Titled Not Titled, collage (newspaper cuttings on canvas), 70cm x 70cm, 2018 
Wrote No Know No Rote, collage (newspaper cuttings on canvas), 70cm x 70cm, 2018 
Tinc, collage (newspaper cuttings on canvas), 70cm x 70cm, 2018 
Essay It Ain’t So, collage (newspaper cuttings on canvas), 70cm x 70cm, 2018 
Light/Speed//Dark///Matter////, collage (newspaper cuttings on canvas), 100cm x 100cm, 2019 
Olympus, collage (newspaper cuttings on canvas), 95cm x 95cm, 2019 
More Action More Frequency (Channel 1), collage (newspaper cuttings on canvas), 132cm x 132cm, 2019 
More Action More Frequency (Channel 2), collage (newspaper cuttings on canvas), 132cm x 132cm, 2019 
Double Screen Off-Set Stop Frame (L), collage (newspaper cuttings on canvas), 90cm x 150cm, 2021 
Double Screen Off-Set Stop Frame (R), collage (newspaper cuttings on canvas), 90cm x 150cm, 2021 
Untitled (ESU), collage (newspaper cuttings on board), 24cm x 18cm, 2018 
Untitled (GIAN), collage (newspaper cuttings on board), 24cm x 18cm, 2018
These black collage works explore painterly language and mark-making through the editing, dislocating and the eventual recoalescing of photographs from newspapers. Various gradients of dark tones, with occasional disturbances of highlights, lines and objects, are collaged onto a canvas surface, creating what appears to be an action or monochrome painting. The static images are re-animated into a new frozen moment of making.
Aside from the lines on the surface, the shape of the cuttings play an important part in the work. Being all square or rectangle they lend the work a pixelated aesthetic, albeit in a glitchy, post-digital manner. The accumulation of hundreds of these truncated pictures replicates our modern ways of swiping or flicking through the vast amount of imagery we now consume in the high-speed digital world.
All works ©Simon Leahy-Clark